Josiah on the set of The Chosen
making history with 10,000 extras

Hi! I'm Josiah Stendel Josiah, a Creative Director at The Chosen.

ThreePrime Video originals
1B+Organic views
20× ROIIn 24 hours
Trailers · Campaigns · Social

Selected work

The Chosen Season 5 trailer
The Chosen — Season 5 Trailer
The Chosen — Season 5 Trailer
Creative Direction 2025
Feature · Trailer

#1 trending on YouTube
1M views in 24hr

As soon as Dallas Jenkins (director) told me he wanted Johnny Cash's "God's Gonna Cut You Down" for this trailer, I was hooked. You're about to see a different side of Jesus — he's not pulling any punches, and that song is the perfect fit for the beginning of the end.

The Chosen in the Wild with Bear Grylls trailer
In the Wild with Bear Grylls — Official Trailer
In the Wild with Bear Grylls, Trailer
Creative Direction 2026
Feature · Trailer

Bear Grylls
on Prime Video

The trailer had to accomplish two things at once: deliver the action and adventure of survival television, and tease the emotional stakes — moments of fear and doubt — felt by the cast of The Chosen. I knew we needed both for a successful crossover.

Now streaming on Prime Video.

Christ the Redeemer, Rio
Creative Direction 2024
Feature · Campaign

Designing for a wonder of the world

"Can you stop time?" Ha. Very funny. "I'm serious — what can you make in forty-five minutes?"

Rain in Rio had just collapsed an already ambitious schedule for branded graphics projected onto the 98-foot Christ the Redeemer statue. The new deadline meant rethinking the production strategy entirely: we built a sequence out of a proven graphics system, extended it into the projection format, and used motion design to carry it across the statue. In the time we had, the team on the ground half a world away got everything they needed.

3x the output.
No new headcount.

5&2 Studios · Creative Direction · 2024–25

5&2 Studios needed to triple video output for the year. The obvious move was to hire — instead I built a scalable pipeline through a social-media post-production agency, then jumped in the trenches, walking them through the brand and the reasoning behind every creative decision so they could replicate our work without us in the room. Within two weeks their output was indistinguishable from our internal team's.

As one of our directors put it: "We're trying to reverse-engineer how you got on-brand work this fast. We've never been able to do that with any other agency."

$321,104 raised
in 24 hours

Berea College · Director & Producer · 2019

Berea College's annual Giving Day pulled more than 4x the typical return on a higher-education fundraising campaign, surpassing their $300,000 goal.

The whole thing rested on one insight: alumni would engage if they saw the university president in a way they never had before — funny, self-aware, in on the joke.

Title sequence for a new Amazon original

5&2 Studios · Creative Direction · 2027

For Joseph of Egypt, the theme was identity in exile. Everything was stripped from Joseph — his coat, his name, his family, his freedom. He's rebranded as an Egyptian: he looks and speaks the part, yet underneath is still Hebrew, an outsider in every identity he navigates.

I built the creative concept around that, contended for the vision, and oversaw the animation studio that brought it to life.

Unreleased for now — more to come.

Orphaned Courage & FilmFuel
Writer, Director, Producer 2016–23
Feature · Film

$40,000 for charity,
a gift that keeps giving

Ask any independent filmmaker what's hardest and they'll say the same thing: raising the money to make their movie.

I cracked the code on my own films. Make it for a cause, and local businesses want to help — they get their logo associated with goodwill in their own community.

Orphaned Courage screened to a sold-out red carpet premiere, with the profits going to an adoption assistance fund. Because of the film, every 18 to 36 months in perpetuity, a new child is placed into a loving home of their own.

Then I wrote the book on it. FilmFuel is a full funding methodology for independent filmmakers — released exclusively through a charity event to more than 16,000 creatives, raising $40,000 for Rise Against Hunger, Action Against Hunger, Village Impact, Street Child and Children International along the way.

"A crucial cog in the wheel for those of us who never imagined producing our own projects. The FilmFuel model fills a need in more ways than one and will revolutionize indie and even tentpole productions."Beverly Nault · Phoenix Screenwriters Association
The Ten Theatrical Commandments
The Ten Theatrical Commandments
The Ten Theatrical Commandments
Co-Writer & Director 2025
Standard · Film

A comedy sketch that played in 2,000+ theaters

The brief was to over-deliver. Fans had come out to see the film in theaters and we wanted an unforgettable "thank you" moment.

So in response, we had the cast of The Chosen deliver comedic guidelines for behaving yourself at the movies, in King James English. No texting. No talking. No tomfoolery. Thus sayeth the Lord.

From social media, opening weekend
Comment: I almost spit out my drink when Johnathan dropped the tablet. This is HILARIOUS! Comment: I saw this in the theater last weekend and everyone there was howling with laughter Comment: So funny! My kids were quoting it after we left the theater.
The Chosen · Social — Short-form

7.8 million views
across three reels

Creative Direction · 2024–26

I speak into the creative across every channel — YouTube, Instagram, Facebook, TikTok and more: video, static, copy, and the consistency between them. Whether it's high-production-value work or social-first iPhone content, it comes down to the same thing: hooking them in, surprising and delighting them. Reels and short-form are stackable and bite-sized — built to create a viewing behavior and an on-ramp into the show.

5.8Mviews
1Mviews
1Mviews
The Chosen · Social — Long-form

Getting the audience to lean in

Creative Direction · 2022–26

YouTube is our top-of-funnel. Short-form opens it as wide as possible and grabs attention; long-form is where we get them to lean in and build a real affinity for us as an entertainment brand. Here are some examples of several original formats we've created to do exactly that.

The Chosen Showdown
Showdown
The Spy Who Fed Me
The Spy Who Fed Me
More to the Story
More to the Story
Creative Direction · 2022–26
Logos · Systems · Marks

Brand identity

Krew wordmark
Krew product dashboard — live shoot-day tracking
Brand

Logo, branding & UI/UX
for an AI startup

Creative Direction · 2025
Design: Romulo Sudario Jr.

AI startups in the creative industry have become known for one thing: replacing creatives. I'm bullish on human creativity, and the real opportunity is in giving human creatives superpowers.

For our visual identity, I wanted to show a productive connection between the human and the digital.

  • The hand — drawn in a single line, always coming from above. Human touch, intuition, creativity: the imperfect, irreplaceable part.
  • The cursor — mechanical precision, speed, intelligence. The digital part.
  • The spark — the ignition, the click, the moment creative intention becomes action.

Where they meet — loosely inspired by Michelangelo's Creation of Adam: human creativity at the helm, AI capability in service beneath it. A partnership in balance that changes how great work gets made.

Statter primary lockup
Volt#C8FF3C
Ink#10131A
Chalk#F6F8F2
Statter marketing site — Just say the play
Brand

Logo, look & feel
for an iPhone app

Creative Direction & Design · 2026

Statter is a voice-activated lacrosse stat-tracking app. Lacrosse sticks are a design problem — they're long, they don't scale, they're illegible at small sizes, and they leave a weird amount of dead space around them; on a phone home screen you can't tell what you're looking at. So I abstracted the most recognizable part of the game, the net and the ball, and let a bold typeface and a tight palette do the rest.

Statter — team roster
Statter — tap the mic to log a play
Statter — live box score
Made You Look Media logo
Brand

Bold branding for our marketing agency

Creative Direction · 2013–21
Design: Ryan Kaczmarek

For our video marketing agency, we needed something confident, fearless, and playfully provocative. After exploring several concepts with our designer, we landed on a pointing hand to form the M in the wordmark. The mark does what it says it will do: it's eye-catching and is immediately true the moment you read it.

Made You Look Media work
Concept to delivery
Made You Look Media work
Concept to delivery
Made You Look Media work
Client work
Over a billion organic video views for influencers and high-profile startups like Duolingo, Eventbrite & Insurify.

About

Josiah Stendel

Hey — I'm Josiah, a German-born creative and entrepreneur.

I was the tenth person in the room at The Chosen, back when it was a scrappy startup, and I got a front-row seat to the whole thing becoming a global studio with 400 million viewers. That turned out to be an absolute masterclass in entrepreneurship, in building an audience, and in making a respected and recognizable brand.

Today I'm creative lead on our trailers, teasers and everything social, and I've creative directed streaming and theatrical marketing across three Prime originals: The Chosen, Joseph of Egypt, and The Chosen in the Wild with Bear Grylls.

I'm also co-founder of Krew, where we're building real-time operational intelligence for film and television production. Two US patents pending, venture-backed, and built on the belief that AI should make creative people sharper rather than replace them.

Across all of it, I've stayed on the front edge of the craft — fluent in the newest tools, AI included, both in front of the camera and behind it — and I like keeping the work a step ahead of where the industry is going.

Before all of that I built Made You Look Media and ran it for eight years — over a billion organic views for influencers and startups like Duolingo, Eventbrite and Insurify. In the same stretch I wrote and produced my own films, got one into theaters, and used it to fund adoptions. My work has been featured in the New York Times, the Wall Street Journal and USA Today.

I live with my wife and two daughters in the southeastern United States and am currently perfecting my dad jokes. Always looking for new ways to impact people by doing what I love.

"Josiah, everything you put your hands to ends up elevating our entire company."Dallas Jenkins, creator and director of The Chosen